I heard a few days ago that Norm Pellegrini had died. I probably heard his voice as often as that of my own parents when I was growing up: ours was a WFMT household, and he was the primary announcer in those years. WFMT, in the 1950s and 1960s, made sure that its listeners understood the nuances of the music, its place in history, the performers - in short, we became a well-educated audience, like it or not. Norm Pellegrini's knowledge of classical music was self-taught. With the likes of Studs Terkel, who died last year at the age of 96, Norm Pellegrini created a pillar of culture that endured for decades at WFTM radio.
One commentator called Norm Pellegrini The Last of the Great Oaks, and that is probably accurate. As the founding generation gradually faded into retirement, the station was melded with public television. The quirky genius of those visionaries became a set of regular programs. The quality is still good - far above many stations - but the unique personality is not there.
Norm Pellegrini hosted The Midnight Special show, probably my first exposure to folk music - and to the kind of dry academic wit that is hard to find in broadcast media. Not many children grow up hearing things like Severn Darden's Metaphysics Lecture, or laughing at sketches like "Football Comes to the University of Chicago" (the over-academic students just don't get the sport; when the coach tries to explain that some players are called "ends" he is interrupted by a student athlete who asks where the beginnings are for those ends, because Aristotle says all ends must have beginnings). He was the first to introduce me to Pete Seeger, whose version of Malvina Reynold's song "Little Boxes" (see below) was something of a counter-culture anthem in my friendship circle. His willingness to play songs that were just plain funny - whimsical - weird - like the Ladies of the Harem of the Court of King Caractacus (see below) was, perhaps, my first model of an adult who could be serious and professional - and also wacky and fun.
Norm Pellegrini always ended the Midnight Special with "You've Got to Walk That Lonesome Valley" - but I suspect that, when he crossed to the other side of that valley, Studs and his long-time buddy Ray Nordstrand and dozens of others were waiting to greet him.
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